Sunday, May 20, 2007

M.H. on Poetry, Psychology, and Quantum Physics.

Hi again. I tried to keep my response brief so if there's anything I didn't deal with just let me know.
For those of you just joining us this is a continuation of my discussion with Demosthenes about a poetic work I wrote and which Demosthenes has issues with. If you're curious to read the rest of it just look for the posts "We" and "Lex Orandi".

“I do not feel that Dummett and Popper were necessarily correct”
Could you support this? All you say is that Popper and Dummett use this idea as a way to place value on ideas but I’m pretty sure even they would say that’s exactly what they wanted. How is your position different from theirs other than merely stating that it isn’t necessarily so? Of course it isn’t necessarily so. There’s always room from reevaluation.

“prolegomena”
You’re using this term in a way that I’m unfamilar with so I’d like to make sure we’re on the same page. You allude to math and scientific method to evaluate cosmological theories and say that this is the same type of idea you’re refering to. So a prolegomena is basically a type of proof structure? I’m fine with that.
So this prolegomena is what you meant the whole time when you used the term authority? If so I’m fine with that too. I’d rather use the term prolegomena than authority though.

“I am referring to that level of accepted idea that has no proof.”
How’s about psychology and Quantum physics? You’ll have to be willing to accept a bit of empiricism with both of these though. Is that alright?

“Now in your psuedopoem (def: a work of poetry with neither foot nor measure)”
An unflattering choice of terms but fair enough. Most modern poets wouldn’t appreciate it however, seeing as how conventional structure is no longer seen as either necessary or complementary to the true spirit of poetry. I’ll leave it for now. (I’d definitely like to deal with this idea in more depth in a latter post so if you’re curious to see how I deal with it keep checking back).

“you make many statements that have no proof, but I believe many of them need proof.”
Is this just your opinion? I mean, are you simply trying to understand my work or are you trying to force me to admit that my work (especially the statement you had issues with in the last post) doesn’t fit with your personal biases and view points? How can you believe that a statement presented in a piece of art needs to be held philosophically accountable? I’d like you to support this.
If you’re just trying to understand what I have to say I gave you a bunch of acceptable interpretations in my last post. I’m also willing to accept any interpretation you’re willing to arrive at on your own. Such is the beauty of Art, the artist needn’t be attached to the piece. In fact it’s absolutely desirable for the artist to be distanced from it and to refuse to support it. This gives the piece that coveted quality of timelessness. The fact that it can be interpreted differently by different people (hopefully endlessly) gives a piece that stamp of “high art”. Case in point: the mona lisa.

“Not formal proofs, even, but simply proof that they can all be arived at from the same prolegomena.”
I’m always willing to entertain philosophical problems even when I think their inappropriately placed.
My first prolegomena: psychology. There is a generally accepted theory in psychology (based on empiricism. It’s the best proof structure available with psychology. I can elaborate on how the evidence is compiled if you want) that people have a mechanism (rather a set of them) in their mind (or brain, the distinction is trivial at this point) that allows them to cope with the enormous task of interpreting perceptions. This coping mechanism is composed of three functions: deletion, distortion, and generalization. These are necessary functions of the human condition and are as rigorously supported as anything in physics.
So I can use psychology as my prolegomena in this case by stating that these functions of the mind are ensuring that “reality” is being perceived in the most useful way possible based on past experience. This implies that, despite appearances, we are truly functioning at out greatest capacity.
Something like 400 billion bits of information are reaching our brains every second but our conscious mind can only cope with something like 50 bits. These mechanisms, therefore, allow us to sort through those 400billion bits and translate the most important ones (at least what we perceive to be the most important based on our how our past translations have or haven’t served us. There’s more to it than this but I’m trying to be brief. If you’re still unsatisfied I’d be happy to devote a whole post to this topic and deal with it in great detail) to our conscious awareness. We are functioning at maximum capacity 24/7. It may not look like it because most people don’t know how to reconcile what we want with how the deletions, distortions, and generalizations are taking place. This is how you can perceive a person that is engaged in “self-sabotage”. Both you and the other person are ignoring the mechanisms at work and misinterpreting the 400billion bits of information.

I can also use another Prolegomena: Quantum physics. I went into this in last post as well. I’ll just say briefly that since there is no other resolution (at least not so far) for the entanglement issue (which implies a paradox when it is assumed that there are two or more distinct observers) than to assume that we all are really just facets of a great, single, universal mind, then we are forced to admit that in the present moment (as opposed to the intellectual structures of past and future) we are each of us truly standing at the acme of human potential. The only thing keeping us from realizing this truth are those aforementioned mental mechanisms.
A third Prolegomena could found in religion as well. I’ll go into if you want but it doesn’t go much beyond the quantum interpretation, I’d really only have to get into it just to satisfy the narrow minded people who can’t see past their own religious prejudices.

“Nor is it acceptable to hide behind the idea of poetry.”
Who’s hiding? I can easily support the idea of artistic license if you want. In fact I will, just not in this post. For now just take a look at Dadaism, and the artistic revolution of the turn of the last century with all that non-representationalism. The artist needn’t answer to the viewer just so long as the viewer gets something out of it (be it exaltation, distaste, introspection, or, like you, a chance to interpret it in a way that leads to some new insights).

“Poem or prose, you did have a reason for your words… and those reasons should be ideas. Preferably, coherent ideas.”
Whether or not a poem conveys a coherent idea to the reader is much more dependant on the reader than the artist. I had a coherent idea in mind when I wrote this piece. I also had no idea whatsoever. What I mean by this is that I was working from a non conscious state of mind. I use visual spatial awareness (and sometimes auditory awareness) when I write much more than linguistic awareness. That’s not to say that I didn’t have a very definite vision of what I was writing, only that that vision is not liable in the same way my philosophical writing is liable. As you can see from the above I can support what I wrote and I can honestly say that I wrote the piece with the intention of conveying those ideas (at least to myself). I was not, however, concerned with how it would be interpreted because I would prefer to let the words that I chose to act as representatives of my “vision” to be interpreted by the reader however the reader prefers to interpret it.

“(to those who doubt authorial intent, I only ask why the sceptics bother to publish their works?)”
You must distinguish authorial intent with allowing the reader to be influenced by the piece how the reader sees fit. It must be based on their personal penchants and past experiences and being too clear in a work of art, especially when it comes to poetry, is going to effective stymie any chance of that. Authorial intent in poetry, novels, short stories or even pseudopoems, is very different than authorial intent in philosophy and hard science. The former seeks varied interpretation based on the reader’s subjectivity, the latter seeks a very specific interpretation based on the author’s views. Imagine what would change in your perspective if you accepted this distinction, even if only for a second, just to try it out.

“Even if this is meant relative to a person's awareness (in which case they are not at the end of themselves, they are at the limits of their awareness),”
I addressed this in my last post. I admit there may have been some things missing or misrepresented in my last post but I think I cleared most of them up in the above points. You’re statement, however, is open to suspicion. What are you alluding to when you imply that there might be other limits to the human condition besides limitations of awareness? Please, if you don’t mind, could you clarify what other limits you're referring to?

“I have observed that many people go through life as self-sabateur. Deliberately.”
First of all are you actually making the blind assumption that you know what is going on in someone’s head? You say “deliberately”. Doesn’t this imply that you know for sure that this person is fucking themselves over? Did this person say to you (or are you implying that your observation skills border on telekinesis) “I’m going to do this (whatever it might be) because I know it will hurt me. I’m also not willing to say that such pain is one of the ways in which I seek pleasure. I am doing this thing knowing that it will hurt me and knowing that such pain is honestly distasteful to me”? If you’ve honestly observed this I’d be hard pressed to not consider that person insane. True I did say “we have ALL been to the end of ourselves” and this does bar any perceived anomalies (should they come up), but you also said you weren’t concerned with the words per se, just the intention behind them. So I’d hope you’re willing to overlook my generosity with the use of the universal quantifier.

“Many people don't want to test there limits, or do well with what they have.”
Yeah that’s true superficially but you can look at in a way (the quantum way) that demonstrates progress regardless of intention. As William James said “we are embarked”. No matter how hard you try to struggle against it and no matter how convinced you are (consciously) that you’re succeeding, you, like everyone else, are at the fore front of human evolution with every passing moment.
Another way of looking at it would be that these people only think this way because of their perception of reality. Their deletions, distortions, and generalizations have told them that since right now they are safe, and doing something different might make them unsafe, they become unwilling to consciously change to admit that there is something else going on. These people are simply misunderstanding themselves, an unavoidable (from time to time) byproduct of the human condition. This does nothing to undermine my arguments.

“Enev Melanowski's hierarchy is strained by desperate men who above all else fear what they might actually be.”
Ok, their experience has led them to believe that change is dangerous. Even ignoring the quantum principles and the psychological interpretation of such a state this is still saying that those people are living at, or at least have been to, the end of themselves. They’re just afraid of it. That does absolutely nothing to reveal flaws in my original statement.

“Presuming that nature is engineered optimally and efficiently, it would seem that nature is stunted, especially in humans. We are, after all, a part of nature, and yet we are also one of nature's most damaging enemies.”
I’d like you to support this (where’s your authority?) before I make a comment. A hoard of recent research done by men like Bruce Lipton, Gregg Braden, and tons of others (especially environmental scientists) are very convincingly saying that this is just not true. Quite the opposite is true in fact.

“But your words here could have two different meanings. The first is that man is limited from reaching his full potential by his awareness (or lack thereof).”
True but only consciously limited. That true potential is always present. Every religion in the world would support this as well as quantum physics, neuroscience and psychology.

“The second, and more interesting to my mind, is that man's potential grows concordantly with his awareness.”
The Potential here referred to is the limitless potential of humanity. There is nothing we can’t do. The only limitation we experience is self imposed and dissolves with increased awareness. Is the Potential a fixed thing, static and mysteriously absent from our current experience? Not at all. Is it something that we can experience at every step and that changes as we develop? Yes. It’s both. As we experience new states of awareness we have access to more and more of that potential. So our experience of it is “dynamic” even though we can all attain to that level of “full potential” that would stand as a “static limit” only because it is infinite. I think we’d have to start using mystical language (the language of the Qabalah is well suited for this) to be able to deal with this fully. If your Qabalistic vocabulary is up to it we can get into it further if you’d like. Otherwise I’m not sure you’re gonna like what else I have to say. I guess for now I’d have to just say that we experience a dynamic, ever developing potential that will eventually lead to a state that could only be appropriately called “infinite potential”. If you want to call that state a static state that’s fine with me but at the same time you’d have to admit that it is a limitless state.
(after reviewing the above I could probably support this using physics if you’d like. I just don’t think it would be as satisfactory or rigorous as a Qabalistic treatment.)

2 comments:

J. Richard Thacker said...

"All you say is that Popper and Dummett use this idea as a way to place value on ideas but I’m pretty sure even they would say that’s exactly what they wanted."

The two selected utilitarianism as a quantifier, when in reality it is a qualifier. I think the distinction begins to smear at this point, but it is there.

"So a prolegomena is basically a type of proof structure?" Prolegomena is formally a set of prefetory arguements or remarks which set the stage for a discussion. In practice, prolegomena is little more than an explanation of the a priori ideas that an arguement requires. By the way, this also ties in with our sub-discussion on infinite regress. Since Sophacles philosophers have realized that their comes a point where we can no longer argue backwards. This horizen (which has gone by many, many names) is replaced in exegetical works with a set of un-arguable ideas which are considered true. Most often these days such ideas left for the reader to infer, a development that I consider rather poor for the literary art.

I chose to use the word authority for good reason, however. One does not write a book on biology, or cosmology, or even doi-it-yourself home plumbing without some form of authority that is greater than the individual's own. This is generally to distinguish the author's voice from the cocophany of garbage that is being spewed out all over by every means necessary, especially the internet. Such authority can be as simple as letters after one's name (the weakest authority by far, but at least it indicates that someone believes that the individual has demonstrated satisfactory knowledge apprehension). The most common authority is a coherent arguement from a single presupposition. It generally falls in the form of "metathesis: arguement: thesis", although there are other acceptable forms. Now I realize that you wrote a poem, and such a structure is neither becoming nor necessary for such. However, the work itself is frankly incoherent. I am not able to read it and observe a single metathesis. Perhaps I have lost a bit of my edge since grad school, but I would like to understand your work a little more, as I think it has promise, and addresses many of the things I find interesting.

"How’s about psychology and Quantum physics? You’ll have to be willing to accept a bit of empiricism with both of these though. Is that alright?"

Perhaps. I am not sure if you are aware, but these two studies do not share the same philosophical underpinnings. There are many areas where the two completely disagree on the fundamental nature of the universe. Also, I do know something about quantum physics, and there is a fairly large gap between quantum physics (the study of quanta) and cosmology (the study of the structure of the universe). The two have been used to enlighten each other, rather like micro-biology and cellular biology.

I am sorry that you don't like the term psuedopoem. It's just a word, and was used for precision, rather than an insult. You are entitled to your own views on poetry. It is an art, and as such is rather personal.

"“you make many statements that have no proof, but I believe many of them need proof.”
Is this just your opinion? I mean, are you simply trying to understand my work or are you trying to force me to admit that my work (especially the statement you had issues with in the last post) doesn’t fit with your personal biases and view points?"

This one is easy. I would like to understand what you are trying to say better. However, you use universal language in your poem. Were you merely describing your experience, well then. But by including others you are making statements that have over-arching potential. In fact, you are making claims about universal reality. I have no problem with this, many have done so before (dao de ching, most of the bible's 66 books, zarathustra's writings, even many of the modern philosophers, kant, Nietschie, etc.), but the other's usually had some pretty good reasons why they wrote what they did. It is the why that you ignore.

"“Nor is it acceptable to hide behind the idea of poetry.”
Who’s hiding? I can easily support the idea of artistic license if you want."

Artistic licence is acceptable, but if you only produce are without letting me know why, then of what value is your work? It occurs to me that perhaps I am a bit dull when it comes to interpreting art, and I believe that I am likely to understand your piece in a way different from that which you intended. Too many years in the sciences, I suppose. Let me word my problem more simply. You created a pseudopoem, er, sorry, poem. I percieve that it contains universal language. Now there are a million almost educated kooks out there producing "art", but I don't just blip over your piece because I like some of the wording and ideas. However, I do not recognize a single clear idea that might result in your conclusions. In fact, it seems that there are several, perhaps conflicting ideas at work here. The only resolution is to appeal to the author. So, however inappropriate you believe my philosophical ramblings to be, I only want to understand your work. (It occurs to me that maybe you had no meaning, and wnat your piece to be understood as subjective/ideal, but there are far too many references to reality and even science for me to believe that).

"I was not, however, concerned with how it would be interpreted because I would prefer to let the words that I chose to act as representatives of my “vision” to be interpreted by the reader however the reader prefers to interpret it."

I lack the ability to reconstruct visions. And if you intend for your words to be entirely up to me to interpret, then so be it. But I would still like to know what make you tick.

"“(to those who doubt authorial intent, I only ask why the sceptics bother to publish their works?)”
You must distinguish authorial intent with allowing the reader to be influenced by the piece how the reader sees fit. It must be based on their personal penchants and past experiences and being too clear in a work of art, especially when it comes to poetry, is going to effective stymie any chance of that. Authorial intent in poetry, novels, short stories or even pseudopoems, is very different than authorial intent in philosophy and hard science. The former seeks varied interpretation based on the reader’s subjectivity, the latter seeks a very specific interpretation based on the author’s views. Imagine what would change in your perspective if you accepted this distinction, even if only for a second, just to try it out."

I see your point. I suppose I am rather viewing your work as more exegetical than subjective. But if your poem is purely subjective, let me know now. If, however there are ideas behind it, please let me know. I am studying philosophy of religion, and find your perceptions intriguing, at least as far as I have interpreted them so far.

"First of all are you actually making the blind assumption that you know what is going on in someone’s head? You say “deliberately”. Doesn’t this imply that you know for sure that this person is fucking themselves over?"

Yes. I have observed many people who deliberately fuck themselves over. Perhaps they are "insane", but if we are all part of a great, universal mind, then what difference does it make? For example, you have AC/DC (I think) singing "I Hurt Myself Today", the lyrics of which are laced with self destruction. Or you have "Fight Club", the best unwatched movie of 1999 (thanks, Matrix). The entire plot is one of self destruction.

"Yeah that’s true superficially but you can look at in a way (the quantum way) that demonstrates progress regardless of intention. As William James said “we are embarked”."

I am not sure of the connection between William James and quantum physics. I am not sure about this statement, because progress implies a vector. This vector would have to be outside of the subjective human experience for it to nullify a perception of denigration. This is the part of your arguements that I am most interested in understanding. You seem to be getting at a reality that is above or outside of our own subjective existance. I would very much like for you to elaborate on this.

"I’d like you to support this (where’s your authority?) before I make a comment. A hoard of recent research done by men like Bruce Lipton, Gregg Braden, and tons of others (especially environmental scientists) are very convincingly saying that this is just not true. Quite the opposite is true in fact.
"

My authority for this statement is simple ecology. Man is the most dangerous parasite in the history of nature. The research and works done on this topic make up the bulk of all ecological and environmental studies. For further reference:
"Population, Resources, Environment: Issues in Human Ecology". by Paul R. Ehrlich, Anne H. Ehrlich
The Journal of Applied Ecology, Vol. 10, No. 2 (Aug., 1973), pp. 663-665

"Public Health and Human Ecology". by John M. Last
(c) 1998 Appleton and Lange

Journal of Human Ecology,
Springer Science and Business Media, New York.

"Case Studies in Human Ecology".
Daniel Bates, Sarah Lees. (Eds.)
1996

etc.,etc.

"If your Qabalistic vocabulary is up to it we can get into it further if you’d like. Otherwise I’m not sure you’re gonna like what else I have to say....(after reviewing the above I could probably support this using physics if you’d like. I just don’t think it would be as satisfactory or rigorous as a Qabalistic treatment.)"

I suppose I might not like what you have to say, but that is irrelevant; I want to hear it anyway. Then again, I may love what you have to say. I am not sure that my quabalistic vocab is up to speed, which means it isn't. However, I did write my thesis on the holographic universe, which deals with ideas that science has yet to invent vocabulary for. So perhaps if you write carefully, and to a layman, we could discuss this further. I would very much like this.

J. Richard Thacker said...

"All you say is that Popper and Dummett use this idea as a way to place value on ideas but I’m pretty sure even they would say that’s exactly what they wanted."

The two selected utilitarianism as a quantifier, when in reality it is a qualifier. I think the distinction begins to smear at this point, but it is there.

"So a prolegomena is basically a type of proof structure?" Prolegomena is formally a set of prefetory arguements or remarks which set the stage for a discussion. In practice, prolegomena is little more than an explanation of the a priori ideas that an arguement requires. By the way, this also ties in with our sub-discussion on infinite regress. Since Sophacles philosophers have realized that their comes a point where we can no longer argue backwards. This horizen (which has gone by many, many names) is replaced in exegetical works with a set of un-arguable ideas which are considered true. Most often these days such ideas left for the reader to infer, a development that I consider rather poor for the literary art.

I chose to use the word authority for good reason, however. One does not write a book on biology, or cosmology, or even doi-it-yourself home plumbing without some form of authority that is greater than the individual's own. This is generally to distinguish the author's voice from the cocophany of garbage that is being spewed out all over by every means necessary, especially the internet. Such authority can be as simple as letters after one's name (the weakest authority by far, but at least it indicates that someone believes that the individual has demonstrated satisfactory knowledge apprehension). The most common authority is a coherent arguement from a single presupposition. It generally falls in the form of "metathesis: arguement: thesis", although there are other acceptable forms. Now I realize that you wrote a poem, and such a structure is neither becoming nor necessary for such. However, the work itself is frankly incoherent. I am not able to read it and observe a single metathesis. Perhaps I have lost a bit of my edge since grad school, but I would like to understand your work a little more, as I think it has promise, and addresses many of the things I find interesting.

"How’s about psychology and Quantum physics? You’ll have to be willing to accept a bit of empiricism with both of these though. Is that alright?"

Perhaps. I am not sure if you are aware, but these two studies do not share the same philosophical underpinnings. There are many areas where the two completely disagree on the fundamental nature of the universe. Also, I do know something about quantum physics, and there is a fairly large gap between quantum physics (the study of quanta) and cosmology (the study of the structure of the universe). The two have been used to enlighten each other, rather like micro-biology and cellular biology.

I am sorry that you don't like the term psuedopoem. It's just a word, and was used for precision, rather than an insult. You are entitled to your own views on poetry. It is an art, and as such is rather personal.

"“you make many statements that have no proof, but I believe many of them need proof.”
Is this just your opinion? I mean, are you simply trying to understand my work or are you trying to force me to admit that my work (especially the statement you had issues with in the last post) doesn’t fit with your personal biases and view points?"

This one is easy. I would like to understand what you are trying to say better. However, you use universal language in your poem. Were you merely describing your experience, well then. But by including others you are making statements that have over-arching potential. In fact, you are making claims about universal reality. I have no problem with this, many have done so before (dao de ching, most of the bible's 66 books, zarathustra's writings, even many of the modern philosophers, kant, Nietschie, etc.), but the other's usually had some pretty good reasons why they wrote what they did. It is the why that you ignore.

"“Nor is it acceptable to hide behind the idea of poetry.”
Who’s hiding? I can easily support the idea of artistic license if you want."

Artistic licence is acceptable, but if you only produce are without letting me know why, then of what value is your work? It occurs to me that perhaps I am a bit dull when it comes to interpreting art, and I believe that I am likely to understand your piece in a way different from that which you intended. Too many years in the sciences, I suppose. Let me word my problem more simply. You created a pseudopoem, er, sorry, poem. I percieve that it contains universal language. Now there are a million almost educated kooks out there producing "art", but I don't just blip over your piece because I like some of the wording and ideas. However, I do not recognize a single clear idea that might result in your conclusions. In fact, it seems that there are several, perhaps conflicting ideas at work here. The only resolution is to appeal to the author. So, however inappropriate you believe my philosophical ramblings to be, I only want to understand your work. (It occurs to me that maybe you had no meaning, and wnat your piece to be understood as subjective/ideal, but there are far too many references to reality and even science for me to believe that).

"I was not, however, concerned with how it would be interpreted because I would prefer to let the words that I chose to act as representatives of my “vision” to be interpreted by the reader however the reader prefers to interpret it."

I lack the ability to reconstruct visions. And if you intend for your words to be entirely up to me to interpret, then so be it. But I would still like to know what make you tick.

"“(to those who doubt authorial intent, I only ask why the sceptics bother to publish their works?)”
You must distinguish authorial intent with allowing the reader to be influenced by the piece how the reader sees fit. It must be based on their personal penchants and past experiences and being too clear in a work of art, especially when it comes to poetry, is going to effective stymie any chance of that. Authorial intent in poetry, novels, short stories or even pseudopoems, is very different than authorial intent in philosophy and hard science. The former seeks varied interpretation based on the reader’s subjectivity, the latter seeks a very specific interpretation based on the author’s views. Imagine what would change in your perspective if you accepted this distinction, even if only for a second, just to try it out."

I see your point. I suppose I am rather viewing your work as more exegetical than subjective. But if your poem is purely subjective, let me know now. If, however there are ideas behind it, please let me know. I am studying philosophy of religion, and find your perceptions intriguing, at least as far as I have interpreted them so far.

"First of all are you actually making the blind assumption that you know what is going on in someone’s head? You say “deliberately”. Doesn’t this imply that you know for sure that this person is fucking themselves over?"

Yes. I have observed many people who deliberately fuck themselves over. Perhaps they are "insane", but if we are all part of a great, universal mind, then what difference does it make? For example, you have AC/DC (I think) singing "I Hurt Myself Today", the lyrics of which are laced with self destruction. Or you have "Fight Club", the best unwatched movie of 1999 (thanks, Matrix). The entire plot is one of self destruction.

"Yeah that’s true superficially but you can look at in a way (the quantum way) that demonstrates progress regardless of intention. As William James said “we are embarked”."

I am not sure of the connection between William James and quantum physics. I am not sure about this statement, because progress implies a vector. This vector would have to be outside of the subjective human experience for it to nullify a perception of denigration. This is the part of your arguements that I am most interested in understanding. You seem to be getting at a reality that is above or outside of our own subjective existance. I would very much like for you to elaborate on this.

"I’d like you to support this (where’s your authority?) before I make a comment. A hoard of recent research done by men like Bruce Lipton, Gregg Braden, and tons of others (especially environmental scientists) are very convincingly saying that this is just not true. Quite the opposite is true in fact.
"

My authority for this statement is simple ecology. Man is the most dangerous parasite in the history of nature. The research and works done on this topic make up the bulk of all ecological and environmental studies. For further reference:
"Population, Resources, Environment: Issues in Human Ecology". by Paul R. Ehrlich, Anne H. Ehrlich
The Journal of Applied Ecology, Vol. 10, No. 2 (Aug., 1973), pp. 663-665

"Public Health and Human Ecology". by John M. Last
(c) 1998 Appleton and Lange

Journal of Human Ecology,
Springer Science and Business Media, New York.

"Case Studies in Human Ecology".
Daniel Bates, Sarah Lees. (Eds.)
1996

etc.,etc.

"If your Qabalistic vocabulary is up to it we can get into it further if you’d like. Otherwise I’m not sure you’re gonna like what else I have to say....(after reviewing the above I could probably support this using physics if you’d like. I just don’t think it would be as satisfactory or rigorous as a Qabalistic treatment.)"

I suppose I might not like what you have to say, but that is irrelevant; I want to hear it anyway. Then again, I may love what you have to say. I am not sure that my quabalistic vocab is up to speed, which means it isn't. However, I did write my thesis on the holographic universe, which deals with ideas that science has yet to invent vocabulary for. So perhaps if you write carefully, and to a layman, we could discuss this further. I would very much like this.